Fraught by logistics, things are not coming together well this week. Fortunately, time for contingencies has been built into the schedule.
Deliveries of props for my latest Work in Progress images are proving to be a lot more erratic than I would hope. Also fortunately, there is a back-up plan although I don’t think circumstances are so dire as to require it to be deployed just yet.
But less of the negative and more of the positive …
Reflecting on my Instagram posts to date, the post which has attracted most attention relates diet and mental health.
Continuing this analysis …
In December 2016 I was asked to identify potential markets for my work. I suggested that my work would be of interest to photographers and artists, editors, teachers and students, and the public – each group having their own unique stake.
Was I correct in identifying these potential markets for my work?
Yes, is the short answer. Whilst I have yet to fully engage with some markets, response analysis to Instagram posts to date shows that these are the groups showing most interest in my work.
Instagram seems quite an ephemeral entity. My account has seen organic growth in terms of followers – but this is net growth.
There is, however, also gross increase in the number of account followers.
On occasions it can seem to be two steps forward and three steps backwards.
Who are the Instagram users who take the time and effort to like a post and follow the associated account, only to unfollow it at a future date? How do we define them? How do we go about retaining them?
How we communicate fascinates me. As a subject this has featured in my thoughts significantly these past few days. One issue that has really resonated with me as a result of my studies (throughout my studies to date) is what we intend an audience to see, and what they actually see.
As I continue to work on the images for my Work in Progress portfolio, I am increasingly aware of meaning. It is obvious that there isn’t a single meaning.
I think in the past my images haven’t also developed in the way that I had hoped or imagined.
So, this is about learning techniques which enable me to improve the way in which my ideas translate into finished images. My drawing skills prevent me from producing scamps or storyboards. I have, however, found spreadsheets very useful in laying out, for itemising the details for each image within a body of work in order to ‘visualise’ the (potential) end result.
I continue to seek improvements in this area of my image-making.