Morris, 2017. Untitled # 6

Morris, 2017. Untitled # 7

Morris, 2017. Untitled # 8

Morris, 2017. Untitled # 9

As the Cravings project develops it is clear how well these images are held together by the overarching theme – that of the struggle and pursuant compromises for an athlete to maintain a strict ‘clean’ diet during preparation for a competition.

Nevertheless, individually, these are strong images – technically and artistically.

Presented in monochrome, bringing a timelessness and focusing the viewer’s gaze on content and meaning, the series is a significant departure from the way in which contemporary food images are typically presented and is, therefore, quite unique.

There is a quality of richness that results from the monochrome post-processing of the images. The chiaroscuro as a design element in each image being augmented by this treatment – another mechanism by which the viewer’s gaze is led through the image. The drama brought to the images by the strongly contrasting areas of black and white is reminiscent of the mystery associated with tenebrism.

A very shallow depth of field is exploited, producing a bokeh which adds further richness to the images. This is an aesthetic which appeals to me very strongly. It is also a boundary I want to push – the Cravings series being shot at f2/8. In future projects, I want to push the aperture wider – looking at f1/4 to f1/2.